One Flew Over the Cuckoo's Nest
Miloš Forman, 1975
2025 marks 50 years since ‘One Flew Over The Cuckoo’s Nest’ hit the cinemas. Ken Kesey’s source material, published in 1962, served as a masthead of the hippie and counterculture movements and it would be an understatement to say the film matched this.
It was the second film to win the Big Five – Best Actor, Actress, Director, Screenplay, and Picture – at the Academy Awards, preceded by ‘It Happened One Night’, and succeeded by ‘The Silence of the Lambs’.
There’re beautiful, tender moments throughout the film, usually involving Chief Browden and R.P. McMurphy, met with a fair share of comic relief. These scenes often center on the basketball court, with Nicholson’s lead bridging the gap between himself and the other patients through sport.
In fact, unity underpins the entire motion picture. Escaping the ward, campaigning to show the World Series, and the moving finale featuring a water fountain (no spoilers) are all key driving forces of this as the tale unfolds.
The film and novel’s criticism of medical institutions saw them being banned and featuring an R rating for their unique interpretation of institutionalisation. Half a century later, Kesey and Forman’s unwavering critique has continually been validated.
With later productions like ‘Prozac Nation’ and ‘My Mad Fat Diary’ featuring similar depictions of mental health treatments, it’s perhaps unsurprising that this classic holds more water than recent Best Picture winners, even as modern as ‘CODA’ or ‘Green Book’. These won’t be spoken of for years to come, but you can bet ‘One Flew Over The Cuckoo’s Nest’ will have retrospectives like this written to mark its century.
Luke Pease
29.04.25
